Prompt: Today, I’d like to challenge you to write a poem inspired by your favorite kind of music. Try to recreate the sounds and timing of a pop ballad, a jazz improvisation, or a Bach fugue. That could mean incorporating refrains, neologisms and flights of whimsy, or repeating/inverting lines or ideas – whatever your chosen musical form would seem to require! Perhaps a good way to start is to listen to your favorite piece of music and “free-write” for the duration of the piece, and then use what you’ve written as the building blocks for your poem.
A few years ago, I performed in a choral production called Incantations, which involved music of ritual, rites, and altogether really interesting pieces of choral music. One of the pieces we performed was a very dark, experimental contemporary piece called Aglepta, which takes a Swedish trollproverb from the 19th century and brilliantly enacts it out in pitch, rhythm, and non-standard notation.
A few years ago, I performed in a choral production called Incantations, which involved music of ritual, rites, and altogether really interesting pieces of choral music. One of the pieces we performed was a very dark, experimental contemporary piece called Aglepta, which takes a Swedish trollproverb from the 19th century and brilliantly enacts it out in pitch, rhythm, and non-standard notation.
It's best to watch it here to get an idea of what it's like, but it's an amazing work and I love how Arne Mellnas uses various ranges of the voice to such effect.
The formatting for this was sheer hell so I left it in small font.
The formatting for this was sheer hell so I left it in small font.
Banishing Spell
To leave an enemy without an
answer, say these words to him: Aglaria Pidhol garia Ananus Qepta and blow in
his direction; then he will not know which way he is headed and cannot answer
you.
-
Smaland 19th Century, Swedish Trollproverbs (collected by Bengt of Kintberg)
A
chant for three voices in three staves
| fffffffffFFFFFffffffff
ffffffffwoooooooffFFFFFFFffffffooooo
ffff
| They say to leave an e! ne! my! beee
| a a a AH
a a AAAH ah a a a a a
AAAAA a a hiiinnnd
| BlOWwwwww in
his direction aa
AAAAAA ahhhaaha piiiihhHHHOOL!
| blowwwww in his direction ahhhhhhhhhhhhhhhhhh____ gaaaa a riii
a
| blowwwwww in his direction AAA a
a AAA a a ga! a! A! A! riAAA
|so I blow blow oh oh oh ohhhhhhh hhhh you you away
| and I send and I
send and I send and
I send you
away
|HAAAAaaaa
HAAAAaaaa
haaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaway
| iiiiissss not child’s play we
are no lon ger
chil! dren!
| iiiiiiissssss we are noooo lon ger
chil! dren!
| This iiiiiissss noooooooooo chiiiiiiiiiild’s pl – l – l –l –l aaaaaaaAAAAY
| go go go I claim my space s s S! space s S! S! i carve a space in air hh aairh
| you you you no lon have a hooooooooooold on me dk dk chchCHTS S
| you you you no lon have a hooooooooooold on me dk dk chchCHTS S
| i i i i i i ger hoo ho ho hold i i i i breakkk your wordsss
|A GLAAAAA ri a I take back
my eyes I free
my hands my words
| I break my chains gaaaaaRIIIIIIaaaaa
| PIIIIIDHOOOL I unsew my tongue
| PIIIIIDHOOOL I unsew my tongue
|ANANUSSSSSSSS
qepTAAAAaaaa offfff your words
| ANANUSSSSSSSS! S! S! looocked in the chains
| ANANUSS kept toooooo long qep qep qep TA tat a aaaaa
| ANANUSS kept toooooo long qep qep qep TA tat a aaaaa
| I blow ffffffff and you
no! lon! ger! can answer now
| I blow fffffffffff and you
answer that
| I blow fffffffffffff and you answer I
| blow your chains back at
at at at YOUuuuuuu h ||
|
ohhhhHOOOOOhhhhh ohhhOOOOOhhh qepta
YOUuuuuuu h ||
| aglaaariiiia!
AGLAaariiiia! garia ANANUS
qepta YOUuuuuuu h ||
12 comments:
I would love to hear this out loud. I believe it would work! :)
Aww thank you Jade! It will - I hear it as a 3-part choral piece in my head so I know it can, it just needs three people haha!
I agree with Jade. I too would love to hear this piece aloud. I hope you're feeling better today. Will check out the link you've provided later.
Oh what wonderful experimentation! I was caught up in the incantation. This is bold work that I'd love to hear spoken... or is it chanted? :)
I was sitting here, stunned, after listening to "Aglepta - Arne Mellnas" -- and then I read your poem - CHILLS! So powerful!! -- and suddenly, I didn't know where I was. (Don't worry. I'm back now but thank you for transporting me.)
Smitha - Thank you so much! I probably should try to find a way to record this in three parts haha, practice my sound editing skills...I'm still borderline migrained, but I hope it will get better. Yes, do check out the link, Aglepta is something magical (and scary but still magical!)
Barry - I'm so glad you like it! It definitely was an experiment (bathroom muses lol), and as I said to Smitha, yes I will try and record it sometime. Barring any accidents on my unskilled part haha! Chanted - spoken - sung!
Elizabeth - Isn't Aglepta wonderful? The fist time we performed it we scared a lot of audience members, because they had no idea what was going on (it's a piece for women's voices and the men were in black, crawling like demons on the floor...) Thank you so much! I'm glad you're back and I'm so glad I could transport you to somewhere hopefully magical! <3
Wow, Shuku--this is bewitching! "I take back my eyes," "I unsew my tongue"--you go, girl. And the piece by Arne Mellinas (which I listened to, rather than watched) took me to a small medieval village where I heard dogs in the streets and cranes in the sky. Wow--thank you!
Thank you so much Romana! I remember that it was a learning curve for us to learn Aglepta, but I really love it now. It's so atmospheric - and I FELT THE SAME WHEN WE PUT THE FINISHED PIECE TOGETHER, the village and the old-time atmosphere! High-five!
Both chorus and printed image conjure shivery magical flight. Wonderful!
Thank you so much Kerfe! Ancient trollproverbs are awesomd that way!
You inspired me today
https://kblog.blog/2020/04/16/come-away/
Yeah! This is wicked. I'm not an enemy but even I feel vanished. :D
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